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Posts Tagged ‘Oil Pastels’

Now that another journal has arrived home, I can post more of my journal entries made to Sue’s journal which was themed We Are All Unique. I found this topic challenging because I am constantly finding things I have in common with others and the world around me.

This illustration was created with embroidery thread, glue and tiny bead pearls.

For my first spread, I wanted to express that while we are all unique, we are part of something larger. I decided to use embroidery thread in varied colors to create a tapestry, which included hundreds of individual threads which contributed to a larger picture of swirling spirals. In the center of each spiral, I glued small pearls to add some sparkle and dimension. Since the tapestry was so thick, I stitched it onto the spiral binding rather than glue it to the pages of the journal. I used the pages of the journal as a background to the tapestry. Pan Pastels were used to get a smooth, graduated color and press-type letters were added on top. The type behind the tapestry reads We Are All unique Threads in the Fabric of the Universe.

The tapestry was stitched onto the spiral binding because it was too thick to glue to the journal pages. I used Pan Pastels to create a smooth background for the transfer type.

Using transfer type in your journals is a great was to add artistic text. It is available in a variety of sizes and styles from professional art supply stores.

On the next 2 pages, I continued the thread theme by scratching words and a scribble design into a bold background of oil pastels.

A thick layer of oil pastels provides a great surface for scratching designs and words.

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Laser transfer in an Ecosystems Sketchbook

This final image was created using a combination laser transfer, acrylic paint and oil pastel.

I love combining digital art with traditional art and one easy way to combine the two is by using laser transfers from your laser printer in combination with paints on paper.

This image was created using a laser transfer as the base image in my Ecosystems Sketchbook with layers of acrylic and oil pastel on top. Laser transfers are not acid-free, but by covering the image with acrylics and a final coating at the end, you will be able to make it last long enough to enjoy it. Please note that this method uses chemicals that should only be used in a well-ventilated area and that you should take adequate precautions when using petroleum-based thinners. Please read the precaution on the can of the product you are using and follow the safety instructions.

A color laser print out of a medallion was used to make the base image. I did not create a mirror image because I didn't care if the image was reversed from the way it was originally created. If you are using type or another image that needs to be in a specific orientation, be sure to you your printer's settings to print an inverted or mirror image of your design or photo.

To start, I designed and printed out an image using my drawing program. I intentionally used bright, saturated colors because some of the intensity is lost during the transfer process and I wanted my base image to be visible below several layers of paint. If I would have used lighter colors, the image would have been much more subtle. I printed the image on a color laser, but you can also transfer black and white laser images using this method.

Next, I placed the image face down onto my journal. Once the image was positioned, I applied a rag saturated with lacquer thinner to the back of the laser print and rubbed it into the page until I could see the image through the back of the paper. Note: It will take some experimentation to learn how your thinner works with your laser print, so if you are unsure of what results you will get, try the transfer first on a scrap piece of paper until you are happy with the results.

I applied the thinner to the entire image and burnished it to press the color into the paper. More burnishing produces stronger images although the transfer will never be as clear and sharp as the original printout. If you require more perfect transfers, other techniques which add another layer of material will work better such as Lasertran and inkjet transfers or Water Slide Decals.

Laser transfer in an art journal.

Once the transfer was complete, I peeled away the color laser print out to reveal the image. Note the image is much softer than the original printout. This is quite normal and is to be expected using this technique. I can give your art an aged look that is difficult to achieve by hand.

The final image transfer. Note how it is much softer than the original print.

The image transfer. Note how it is much softer than the original print.

I added metallic gold, acrylic paint that had been thinned with water to create a shimmery, aged look. It took several layers of this to build up enough color to create the effect I was after.

I added metallic gold, acrylic paint that had been thinned with water to create a shimmery, aged look. It took several layers of this to build up enough color to create the effect I was after.

Art Journal

I used multiple layers of acrylic paints of different colors to add depth and intensity.

Adding text to an art journal.

Once I had the background color the way I liked it and the paint was dry, I added horizontal pencil lines so I would be able add aligned text on top of the image. The pencil lines were very light to not obstruct the image.

The final image including hand-written text.

I added hand-written text on top of the art using a white oil pastel. The oil pastel is dense and enabled me to create opaque, cursive text on top of the image. Once I was finished, I coated the entire piece with a clear acrylic spray to seal it and to prevent the oil pastel from transferring to paper or hands. The sealer also protect the artwork from dirt, grime and moisture.

this is filler

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I have had a series of images floating around in my mind involving the beautiful environment that I live in. Inspired by this, my daughter and drove through the local countryside with our cameras, capturing anything that caught our eyes. We took a lot of photos, most of which we didn’t like, but looking through my images, I noticed a trend. Nearly every photo I took was included vivid blues and greens.

I decided to create a quick  illustration to sum up my  experience using oil pastels in my trusty Moleskine A4 Watercolor journal and this was the result.

I used oil pastels in the Moleskine Watercolor journal to capture the vivid colors on my photo shoot.

Oil Pasts in Moleksine Watercolor Journal

I underpainted the illustration using purple watercolor so it would show through the blue. I like this effect better than effect of white showing through.

The final result is not an exact duplication of the photos I took, but a simple expression of my view of the experience. To give you an idea of what the illustration is based on, I have included a few photos from my outing.

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