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Archive for the ‘Art Journals’ Category

One of the journals in the worldwide journal swap I participated in was filled with nature inspired illustrations.  My entries were of leaves, created with 2 types of markers, Copic Sketch Markers and Tombow Dual Brush Pens. Color blends were used in both images, but the Copic markers produced blends that were more translucent and ethereal in appearance, while the Tombow markers seemed bolder. Part of the difference may be due to the more graphic appearance of the first illustration, or maybe it is because the Tombow markers are water-based and the Copic markers are alcohol-based. Whatever the reason, the Tombow markers seem to produce bolder, sharper looking color.

This illustration was rendered using Tombow Dual Brush Markers. I added water drops to the surface of the paper using a glossy gel medium in small blobs.

The leaves were created using Copic Sketch Markers. The center of the paper was crimped to cover the spiral binding, the left and right sides of the paper was glued to the journal pages. The left side of the leaf in the center was cut out of the watercolor paper so it would pop up when the pages are opened.

Both markers are high quality, professional grade products but you may prefer one over the other depending on your project. The water-based Tombow markers are appropriate for use on paper-based surfaces and can be thinned with water like water colors. The ink is not permanent and will not bleed through your paper’s surface unless you you saturate the paper with too much ink. The permanent, alcohol-based Copic markers can be used on a variety of surfaces including paper, ceramic, glass, fabrics, metal, leather, plastic and more. Unless you are using Copic’s special marker paper, the Copic markers will bleed through most papers, however.

Copic markers are available in a variety of different sets and color combinations in both Ciao and Sketch marker styles in sets of 12, 24, 36 and 72.

Tombow Dual Brush Markers are available in sets of 6, 10 and 96. Primary, secondary, landscape, portrait and other color sets are designed to fit the needs of individual artists.

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The June Carnival of Pen, Pencil and Paper is in swing at Note Booker, Esq. There are some really great posts this month. Sme of my favorites are:

Beyond the Pen: Fountain Pen Ink as Watercolor Wash posted by guest blogger Jamie Williams Grossman who has a sketching blog called Hudson Valley Sketches. She shares her techniques for creating washes out of saturated fountain pen inks and shares a list of her favorite inks.

Unquestionably The Coolest Notebook I’ve Ever Seen posted by Note Booker, Esq. introduces us to an exotic looking notebook purchased at Flax. The cover is part leather, part canvas and is filled with beautiful paper with a deckle edge.

Links to Artists Who Put Pens to Good Use posted by Inkophile who shares some great links to artistic journals and illustrations created with fountain pen ink.

Inside: A Ukrainian Sketchbook posted by Notebook Loves Pen shows us the inside of Ukranian artist’s Anna sketchbooks.

The Book Surgeon posted at Moleskinerie shows us some amazing examples of book art. Using knives, tweezers and surgical tools, he carves one page at a time, without adding anything but just cutting away some pieces of out-of-date encyclopedias, medical journals, illustration books, or dictionaries.

There are many more great posts, so be sure go visit Note Booker, Esq today. Submit your blog articles for the next edition of Carnival of Pen, Pencil and Paper using the carnival submission form. Past posts and future hosts can be found at the blog carnival index page, and you can read about the Carnival’s origins at Notebook Stories. Next month’s carnival will be hosted by Notebook Loves Pen.

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Now that another journal has arrived home, I can post more of my journal entries made to Sue’s journal which was themed We Are All Unique. I found this topic challenging because I am constantly finding things I have in common with others and the world around me.

This illustration was created with embroidery thread, glue and tiny bead pearls.

For my first spread, I wanted to express that while we are all unique, we are part of something larger. I decided to use embroidery thread in varied colors to create a tapestry, which included hundreds of individual threads which contributed to a larger picture of swirling spirals. In the center of each spiral, I glued small pearls to add some sparkle and dimension. Since the tapestry was so thick, I stitched it onto the spiral binding rather than glue it to the pages of the journal. I used the pages of the journal as a background to the tapestry. Pan Pastels were used to get a smooth, graduated color and press-type letters were added on top. The type behind the tapestry reads We Are All unique Threads in the Fabric of the Universe.

The tapestry was stitched onto the spiral binding because it was too thick to glue to the journal pages. I used Pan Pastels to create a smooth background for the transfer type.

Using transfer type in your journals is a great was to add artistic text. It is available in a variety of sizes and styles from professional art supply stores.

On the next 2 pages, I continued the thread theme by scratching words and a scribble design into a bold background of oil pastels.

A thick layer of oil pastels provides a great surface for scratching designs and words.

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Another one of the journals I worked on in the Journey of Journals project and returned home and I am able to post photos of the pages I created as well as the few pages that were in the journal when I received it. The theme of this journal was Strength.

Note: if you right-click any of the images and select View Image, you will be able to see a larger, more detailed image.

The journal is handmade with a vibrant fabric wrapped around paper signatures that are stitched into the fabric. Paula, the journal’s creator, did a beautiful job of connecting her imagery to the journal’s design.

The theme of this journal was strength. Paula's intro page included a small envelope for everyone to include their name.

Her first spread is a mixed-media illustration. I love how she used different patterns and textures to create the design. The layering of items gives the pages a sense of depth and history.

Paula's second spread is layered with rich, vibrant colors and images.

My spread was created by altering a photo of a wolf I took at the International Wolf Center in MN. The image was printing on plain paper using an ink jet printer. I used a translucent, white, iridescent paint on the photo to give the image an otherworldly glow. Inks were added to the dark areas to increase contrast.

Another photo from my visit to the wolf center was used for my second spread. Multiple paint and gel medium layers were used to give the photo a painterly effect.

You can view the Strength journal in its entirety at the following link: Paula’s Journal.

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The completed journal from a recent journal swap.

I was fortunate enough to be a part of a worldwide journal swap that took place between the members of CoachCreativeSpace.com. Not only did I start a journal that was sent to 6 other artists, but I also had the privilege of creating pages in those 6 artists journals. The results were awesome and I feel like I really got to know my artist friends by working in their journals and seeing the work they created in mine.

My journal was themed Connected. I chose the theme because eventually, we would all be connected by our work. I used a large Moleskine Accordion Journal (Japanese Album) to enhance the theme because its pages are connected, zig-zagging throughout. The only request I made to my artist friends was that they somehow found a way to connect their art to the previous artists. How they did that was entirely up to them.

The first 2 pages included the front cover ilustration and a note to my fellow artists.

For my illustration, I sketched a marker illustration of a distant treeline with a lone, bare tree.

I created my illustration using my Tombow Dual Brush Pens. Since the markers are water-based, I didn’t have to worry about them bleeding through the paper. I ended my illustration diagonally, half way through my page and the next artist’s page with the hope that she would start on the empty space on my page, which she did.

Nita's connecting images used the same colors that I did to make the transition. Her images were more abstract at first, but morphed into the image of a jet.

The images following the jet were created by Sue which perhaps were inspired by the journey of this particular journal which traveled to the UK and Canada before making its way home to the US.

Sue's post box illustration blends fluidly into the next 2 images by Nancy. The page on the right is the last page of the front side, so Nancy had to continue her illustration on the second side.

Nancy had the task of having to create something that flowed in the middle of the book. She had to illustrate the last 2 pages of the front side of the accordion and the first 2 pages of the back side.

This is the continuation of Nancy’s artwork from the front side.
The next spread shows the journey the journal made, highlighted by tiny rhinestones for the location of each artist.

Jean illustrated a map of the journey the journal took to the various artists. You can see more of Jean’s work on her blog, A Joyful Spirit.

The next spread continued the dotted graphics from the previous spread, blending with images and names of all the artists involved in the journal swap.

Lotus, created an illustration, connecting all of the artist in the swap. You can see more of her creative journals at her blog, WhymsicalLotus.

The final spread in the journal ends with more travel inspired images.

Finally, the final spread in the journal features birds in flight illustrated by Paula in New Mexico.

An overall view of the completed journal and its zig-zag pages.

Once the other artists journals are finished, I will be posting some of the artwork I created, so be sure to check back for more art journal images.

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Check out these new Cover Art Cahiers, designed by Benjamin Barrios, Paul Desmond and Maykel Cordeiro Nunes. Artwork from these three artists was selected by Moleskine to start the Cover Art Collection, a new collection of high quality notebooks created by Moleskine to celebrate the creativity of the myMoleskine community. The artwork was chosen from thousands of images submitted to my Moleskine Gallery starting March 2009.

Carp Tattoo Image by Benjamin Barrios

Available in three different layouts–ruled, squared and with plain pages–the notebook covers reproduce drawings from their Moleskine sketchbooks. The Cover Art notebooks feature Singer sewn binding.

Press The Button Designed by Maykel Nunes.

Fiori Multicolor Design by Paul Desmond.

To become better acquainted with the artists and their drawings, there are three notebook covers and three bookmarks reproducing the artists’ creative work. You can download them for free in the template area.
For the story behind the Cover Art Series, visit Moleskine.com.
To order your Moleskine Art Cover Cahiers, visit JournalingArts.com or other notebook retailers.

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Laser transfer in an Ecosystems Sketchbook

This final image was created using a combination laser transfer, acrylic paint and oil pastel.

I love combining digital art with traditional art and one easy way to combine the two is by using laser transfers from your laser printer in combination with paints on paper.

This image was created using a laser transfer as the base image in my Ecosystems Sketchbook with layers of acrylic and oil pastel on top. Laser transfers are not acid-free, but by covering the image with acrylics and a final coating at the end, you will be able to make it last long enough to enjoy it. Please note that this method uses chemicals that should only be used in a well-ventilated area and that you should take adequate precautions when using petroleum-based thinners. Please read the precaution on the can of the product you are using and follow the safety instructions.

A color laser print out of a medallion was used to make the base image. I did not create a mirror image because I didn't care if the image was reversed from the way it was originally created. If you are using type or another image that needs to be in a specific orientation, be sure to you your printer's settings to print an inverted or mirror image of your design or photo.

To start, I designed and printed out an image using my drawing program. I intentionally used bright, saturated colors because some of the intensity is lost during the transfer process and I wanted my base image to be visible below several layers of paint. If I would have used lighter colors, the image would have been much more subtle. I printed the image on a color laser, but you can also transfer black and white laser images using this method.

Next, I placed the image face down onto my journal. Once the image was positioned, I applied a rag saturated with lacquer thinner to the back of the laser print and rubbed it into the page until I could see the image through the back of the paper. Note: It will take some experimentation to learn how your thinner works with your laser print, so if you are unsure of what results you will get, try the transfer first on a scrap piece of paper until you are happy with the results.

I applied the thinner to the entire image and burnished it to press the color into the paper. More burnishing produces stronger images although the transfer will never be as clear and sharp as the original printout. If you require more perfect transfers, other techniques which add another layer of material will work better such as Lasertran and inkjet transfers or Water Slide Decals.

Laser transfer in an art journal.

Once the transfer was complete, I peeled away the color laser print out to reveal the image. Note the image is much softer than the original printout. This is quite normal and is to be expected using this technique. I can give your art an aged look that is difficult to achieve by hand.

The final image transfer. Note how it is much softer than the original print.

The image transfer. Note how it is much softer than the original print.

I added metallic gold, acrylic paint that had been thinned with water to create a shimmery, aged look. It took several layers of this to build up enough color to create the effect I was after.

I added metallic gold, acrylic paint that had been thinned with water to create a shimmery, aged look. It took several layers of this to build up enough color to create the effect I was after.

Art Journal

I used multiple layers of acrylic paints of different colors to add depth and intensity.

Adding text to an art journal.

Once I had the background color the way I liked it and the paint was dry, I added horizontal pencil lines so I would be able add aligned text on top of the image. The pencil lines were very light to not obstruct the image.

The final image including hand-written text.

I added hand-written text on top of the art using a white oil pastel. The oil pastel is dense and enabled me to create opaque, cursive text on top of the image. Once I was finished, I coated the entire piece with a clear acrylic spray to seal it and to prevent the oil pastel from transferring to paper or hands. The sealer also protect the artwork from dirt, grime and moisture.

this is filler

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